Alec Patric spoke at Frankston Library this week as part of the Australian Library Week events. And despite the small number of people in the audience, it was a lovely event. Maybe because of the small audience it was more of a conversation rather than a presentation. 
Alec appears as a dedicated and humble writer who loves his craft. Growing up in the then barren western suburbs of Melbourne he sought enrichment through poetry. Becoming a ‘writer’ was a foreign concept in that era in that community. Working on weekends in his dad’s engineering factory he found beauty in words.
The conversation at the library meandered lyrically, involving us all, we spoke of poetry, literary fiction, genre fiction, winning awards, work in the local book shop, Black Rock White City, his soon-to-be-released collection of short stories The Butcherbird Stories, immigration, book clubs, libraries, the writing life, and more.
When Alec observed that fiction novels are the zeitgeist of society, I understood completely. This is a notion I have explored on occasion, my thoughts flailing about trying to reason why fiction is important. The Slap by Christos Tsiolkas is a perfect example of a story that portrays a particular, time, place and culture: ‘the spirit of the times’.
The conversation about literary fiction brought the novel Eucalyptus by Murray Bail to mind. A book I love and is hard to place into a rigid genre. Alec was aiming for a literary page-turner with his book Black Rock White City and by receiving the Miles Franklin Award in 2016 for this novel, he obviously succeeded.
He mentioned the Long List for this year’s Miles Franklin Award and this has prompted me to have a look at those books. The one that appeals at first glance is From the Wreck by Jane Rawson.
Sues Bent 